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Post by amidala64 on Jul 6, 2006 9:49:15 GMT -4
Outstanding Cinematography For A Single-Camera Series Lost • Man Of Science, Man Of Faith • ABC • Grass Skirt Productions, LLC in association with Touchstone Television Michael Bonvillain, Director of Photography
Outstanding Directing For A Drama Series Lost • Live Together, Die Alone • ABC • Grass Skirt Productions, LLC in association with Touchstone Television Jack Bender, Director
Outstanding Single-Camera Picture Editing For A Drama Series Lost • One Of Them • ABC • Grass Skirt Productions, LLC in association with Touchstone Television Sarah Boyd, Edited by
AND Lost • Live Together, Die Alone (Part 1 & 2) • ABC • Grass Skirt Productions, LLC in association with Touchstone Television Sue Blainey, Edited by Stephen Semel, Edited by Sarah Boyd, Edited by
Outstanding Guest Actor In A Drama Series Lost • ABC • Grass Skirt Productions, LLC in association with Touchstone Television Henry Ian Cusick as Desmond
Outstanding Single-Camera Sound Mixing For A Series Lost • Live Together, Die Alone (Part 2) • ABC • Grass Skirt Productions, LLC in association with Touchstone Television David Barr Yaffe, C.A.S., Production Sound Mixer Sean Rush, Production Sound Mixer Frank Morrone, Re-Recording Mixer Scott Weber, Re-Recording Mixer
Outstanding Special Visual Effects For A Series Lost • Live Together, Die Alone (Part 1 & 2) • ABC • Grass Skirt Productions, LLC in association with Touchstone Television Kevin Blank, Visual Effects Supervisor Mitch Suskin, Visual Effects Supervisor Jay Worth, Visual Effects Coordinator Scott Dewis, 3D Animator Steve Fong, Compositor Spencer Levy, 3D Supervisor Eric Chauvin, Matte Painter Archie Ahuna, Special Effects Coordinator Bob Lloyd, Compositor
Outstanding Writing For A Drama Series Lost • The 23rd Psalm • ABC • Grass Skirt Productions, LLC in association with Touchstone Television Carlton Cuse, Written by Damon Lindelof, Written by
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Post by henryrocks on Jul 6, 2006 11:22:37 GMT -4
Desmond?? Ah well, he DID do a good job - and I suppose he's a better choice than Ana Lucia, or something. You know what they should do? Instead of worrying about the story arc of all of Lost's upcoming seasons, concurrent with ratings, etc., just do "Lost - The Movie," and have it all out. Make it awesome, make huge bucks, and get Michael Emerson an Oscar nom already Hey, we can dream! Edited to add: Hee hee! This is too good not to include. Apparently the rest of the world would agree with us (on Michael E's being passed over). Check it out: "Lost gets dissed by Emmy voters" "So let me get this straight ... "Lost" wins last year's Outstanding Drama Series Emmy, but this year it doesn't even get nominated in the same category? Isn't there a law against this kind of thing? Alas, it's true. "Lost" got the cold shoulder from Emmy voters in all the major categories. The only notable "Lostie" was Henry Ian Cusick (Desmond), who scored a nod for Outstanding Guest Actor in a Drama Series. Now, Des did a lovely job, but what about Michael Emerson (Henry Gale)? He was creepy incarnate and yet, nothing ... not even a pat on the head. Do the Emmy voters even watch the shows?" [...] Sing it. www.filmfodder.com/tv/lost/archives/002909.shtml
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Post by Desmonds Bunny on Jul 7, 2006 13:57:12 GMT -4
Yea I saw this yesterday and I'am surprised Michael didn't get nominated. I mean I love Henry and he's good, but Michael should've gotten it. Season two started off good but it became a little ugh after a bit, but when Michael came it definately got soooo much better. This guy rocks. But I guess either way for me it's a win win situation lol. Even if Henry loses, it doesn't matter. But I do think Michael should've got nominated. But we shouldn't disrespect Henry either, he did a fantastic job. Edit:I think this guy put it pretty good. "Ok, I agree that it seems unfair and really odd that Lost didn't get one single nomination in the big categories but I see no need to downplay Henry Ian Cusick's landing the nom for Best Guest Staring Actor in a Drama Series. While it's true that Michael Emerson's "Henry Gale" was awesome ... Michael was doing what he does best (and, by the way has won an Emmy for already) ... creepy. No one does creepy like Michael! But what Henry Ian Cusick did was bring to life a character that few actors could have pulled off believably. In just 3 episodes (4 if you count the finale as 2 since it was 2 hrs long), Mr. Cusick ran the gamut on emotions. From scared, to brave, caring and concerned to harsh and cruel, loving and tender to angry and bitter ... not to mention one mean-butt drunk! Desmond is a character that actors kill to get cast as and TPTB not only saw his talent in his audition but Ian delivered a top performance in every ... single ... scene!"
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Post by henryrocks on Jul 8, 2006 16:09:29 GMT -4
"...But what Henry Ian Cusick did was bring to life a character that few actors could have pulled off believably. In just 3 episodes (4 if you count the finale as 2 since it was 2 hrs long), Mr. Cusick ran the gamut on emotions. From scared, to brave, caring and concerned to harsh and cruel, loving and tender to angry and bitter ... not to mention one mean-butt drunk! Desmond is a character that actors kill to get cast as and TPTB not only saw his talent in his audition but Ian delivered a top performance in every ... single ... scene!" Yeah, I would agree with that (though I do take exception to Henry's being lumped in as "just another creepy psycho." Does he really play Henry and his "Practice" character the same way?). This is great, though: ;D "...but I see no need to downplay Henry Ian Cusick's landing the nom for Best Guest Staring Actor in a Drama Series." They DO do a lot of staring off into the distance, those Losties. Desmond's not really a prime offender, but still
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Post by flummery on Jul 8, 2006 18:02:54 GMT -4
Does he really play Henry and his "Practice" character the same way?). I would definitely answer with a big 'No!' to that. For one thing, Hinks (from The Practice) was all-around creepy. Gale can be creepy, yes, in some scenes. I don't know how people miss this, but there is a huge difference between the creepiness that makes you wonder if Hinks is a psycho serial killer, and the creepiness when you have the knowledge that the Others are very unknown to us and Gale could be a threat. Both Hinks and Gale have a certain beneath-the-surface quality. That's a similarity, yes, but they're really part of what makes the character interesting, not creepy. Gale comes across as calculating, but stable. With Hinks, questions about his sanity were always bouncing back and forth. In general, Gale seems to have more control over his personality, where Hinks was really...very compelled, if not controlled, by irrationality. His logic was genius; he compensated for his illness so well that people believed what he said. Other than a couple matching personality traits, I wouldn't say Hinks and Gale are alike. I just don't see it at all. People can say they're both creepy and leave it at that, but geez...that's completely missing the rest of each performance. It's like watching Hamlet for the sword fight.
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Post by pez on Jul 8, 2006 18:14:12 GMT -4
very VERY well said! Also , to me, Gale has a sadness to him that is beautiful to watch. He makes you feel for him. A couple things he did made me a tad teary. ;D
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Post by Desmonds Bunny on Jul 8, 2006 18:16:31 GMT -4
He does. I certainly feel for him.
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Post by henryrocks on Jul 8, 2006 18:50:06 GMT -4
Thanks for the responses! I haven't seen his "Practice" episodes, but my question was more rhetorical, my good faith in Michael E. leading me to assume that he would, of course, play them differently. But I could always be wrong... so thanks for confirming that his acting is as good as I assume it to be. A couple things he did made me a tad teary. ;D Me too! Actually, once, and that was greatly helped by Terry O'Quinn: "You came back." Eyes automatically watered. The scenes between them were so sweet (or just all-around great: "I'm so glad my head didn't break it" (Locke's 'stick;' Henry dripping with sarcasm after his averted Ana Lucia attack. Definitely not 'sweet', but awesome)). Too bad it looks like there won't be much interaction between them next season. *hopes*
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Post by flummery on Jul 8, 2006 19:03:32 GMT -4
Thanks for the responses! I haven't seen his "Practice" episodes, but my question was more rhetorical, my good faith in Michael E. leading me assume that he would, of course, play them differently. I figured, but people seem to be making that comparison so much, and you gave me an 'in' to respond, so I grabbed it, hehe. ;D
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Post by pez on Jul 9, 2006 0:12:47 GMT -4
Me too! Actually, once, and that was greatly helped by Terry O'Quinn: "You came back." Eyes automatically watered. The scenes between them were so sweet (or just all-around great: "I'm so glad my head didn't break it" (Locke's 'stick;' Henry dripping with sarcasm after his averted Ana Lucia attack. Definitely not 'sweet', but awesome)). Too bad it looks like there won't be much interaction between them next season. *hopes* When Henry came back to Locke..Thats the exact scene I was thinking of! They have a great chemistry! I love all the scenes they had together. Fantastic. Yeah, I hope he works with Terry more in the future because they are the perfect combo.
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Post by amidala64 on Jul 9, 2006 1:55:44 GMT -4
When Henry came back to Locke..Thats the exact scene I was thinking of! They have a great chemistry! I love all the scenes they had together. Fantastic. ... That is one of my favorite moments in Season 2!! I'm so glad y'all noticed how wonderful that scene turned out to be. On The Fuselage, I asked Terry O'Quinn about it, hoping his answer would include something about Michael....it did! thefuselage.com/Threaded/showthread.php?t=53158Dear Terry, You are a really cool guy. Thank you for your superb work on Lost. I am wondering... the scene in Lockdown when Henry returns from the computer room, the exchange between the two men is subtle, but really emotionally charged. You made me cry (in a good way...in an isn't-it-wonderful-to-be-touched-by-art kinda way.) I can't imagine what it's like to be an actor...to create a scene like that. I mean, abandonment is such a sore issue for Locke. He seems to have such a deep wound from his father. As someone watching in the audience, I could FEEL the relief when Henry returned and spoke to Locke so reassuringly. It was sad, and beautiful, and cathartic. How did you two men approach it? Do you talk about all the backstory and psychological motivations or does creating a scene like that involve some magic that is beyond my imagination? (magic = talent? skill? great direction?) Thank you, thank you, thank you for your work and for being so kind to your fans. Blessed be, Lisa Fangirl from Clifton, NJ Re: chemistry between Locke and Henry...magic? talent? skill? You think a lot about it....................and then you pretend. And if the other actor is professional and considerate and talented, (and Michael is all of these things) you might make a good scene......................................by pretending as hard as you can. Thanks Lisa, Terry
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Post by Desmonds Bunny on Jul 9, 2006 16:34:07 GMT -4
Aww that was really nice of Terry to write back!! I love his response. It's true.
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Post by pez on Jul 10, 2006 11:37:50 GMT -4
That is just plain awesome! ;D
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Post by henryrocks on Jul 10, 2006 13:29:58 GMT -4
You know what they should do? Instead of worrying about the story arc of all of Lost's upcoming seasons, concurrent with ratings, etc., just do "Lost - The Movie," and have it all out. Make it awesome, make huge bucks, and get Michael Emerson an Oscar nom already Hey, we can dream! (... ha, quoting myself.) So I made that throwaway comment, and, awesomely enough, a final "Lost" movie does seem to be in the works: www.tv.com/story/story.html&story_id=5197&q=LOST?tag=search_results;additional_links;0Can 'Henry' possibly still be alive at that point?
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Post by henryrocks on Aug 25, 2006 19:38:41 GMT -4
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